READ ALL ABOUT IT
Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.
You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.
Erasure
Erasure — named to The Atlantic’s “Great American Novels” list — is a stellar book. Percival Everett was unknown to me until The Trees made the Booker shortlist in 2022. I read it and thought, “This is different. And lol funny. But serious too.” And then I saw American Fiction and realized it was based on Erasure and thought, “I should read that novel.”
Steps to Nowhere
These Steps to Nowhere, spotted on a walk, reminded me of a childhood friend because there was part of her street where a sidewalk just…ended. And she once told me that EXACT SPOT was the inspiration for Where the Sidewalk Ends, and I was like “Shel Silverstein has never been to your street,” and then we got in a spat. Which isn’t that unusual for kids, you know? (That said, I may have been a bit of an instigator because another time I told this friend that Santa wasn’t real after an assembly featuring a jump roping “team” as we were all outside trying to do our own tricks with those beaded ropes. She was so upset, and I probably did deserve one of those things whipped my way…)
American Fiction
Is the novel always better than the book? This could easily have been a question cleverly slotted into the movie American Fiction — and it is, kinda, in a meta sort of way — but the film also does an awesome job addressing: book festivals, literary awards (and their judges), what constitutes a “Black book,” and the marketing/pandering-to-audience/money rigmarole of the publishing industry.
