READ ALL ABOUT IT
Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.
You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.
Station Eleven
Station Eleven was published in 2014, so I’m wondering what all the pre-2020 readers thought of this, Emily St. John Mandel’s “pandemic novel.” I can’t stop thinking about it. Not just because of the mentions of contagion, incubation periods, symptoms, and quarantine that are all so eerily familiar. Those phrases will resonate with a post-2020 reader in a different, more concrete way.
To Be or Not To Be (Yourself): On The Vanishing Half, The Glass Hotel, and Shakespeare
In a moment of delusion in late 2018, I decided to commit to reading one Shakespeare play per month in 2019. And I mostly kept the goal. (The only one I didn’t finish was Much Ado About Nothing in December.) I had already read many of these in college, and even though I was wholly tired of the Bard by the time 2020 rolled around, the plays still felt fresh. I thought King Lear raw and relevant, Hamlet heartbreaking. Twelfth Night made me sad in a “Mean Girls” kind of way.
