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Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.

You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.

Reflections on Reading, Empathy at Chism Beach
Pull Quotes, Musings on People & Places Amy Wilson Sheldon Pull Quotes, Musings on People & Places Amy Wilson Sheldon

Reflections on Reading, Empathy at Chism Beach

The “read books to build empathy!” line of thinking drives me bonkers … just a tiny bit. It’s a nice start, but what do readers do with newfound “knowledge” about a group/topic/whatever apparently gleaned from a book? I had a quickie trip to my hometown (pics are down the road from my childhood home), and I guess “empathy” was on my mind. What does that look like in practice?

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Just the Facts
Thoughts on Books Amy Wilson Sheldon Thoughts on Books Amy Wilson Sheldon

Just the Facts

“Good fiction creates empathy. A novel takes you somewhere and asks you to look through the eyes of another person, to live another life.” – Barbara Kingsolver

Barbara Kingsolver is one of my tried-and-true, go-to authors. From the first time I picked up a copy of The Bean Trees in the 1950s-bowling-alley-turned-Barnes-and-Noble in downtown Bellevue, I knew I would like it. Originally, it was the cover art and fluorescent orange spine that made me pick up the book, but after I bought it and actually read it, I knew I was under the spell of this author. Although the eccentricity of a blind babysitter named Edna Poppy and a shop called Jesus is Lord Used Tires stood out to this 17-year-old, what I really enjoyed was Kingsolver’s ability to show me other sides to issues and situations that I didn’t know much about, such as underground railroads for immigrants and rural Appalachian towns. It was all very eye opening, yet in a quirky-character-driven sort of way. But as much as I love to read Barbara Kingsolver, I’d also argue that her novels sometimes lean toward the pedantic and heavy-handed side; she may write sympathetic characters for both sides of an issue, but at times, they turn into caricatures of themselves.

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