READ ALL ABOUT IT

Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.

You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.

A Parlor Read
Book Culture Amy Wilson Sheldon Book Culture Amy Wilson Sheldon

A Parlor Read

Have you noticed publications (Atlantic, NYT) touting the benefits of reading aloud? I’ve enjoyed seeing these headlines because the first community literary event I produced in 2019 was just that: a read-aloud. It was called Book Covers (like a cover band, but “cover readers”), and there was a theme and a panel discussion following the readings — which were done by prominent community members and authors — + a run sheet + a sound system + press releases etcetcetc.

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Kantika
Thoughts on Books Amy Wilson Sheldon Thoughts on Books Amy Wilson Sheldon

Kantika

I’ve always been fascinated by my family’s history — the lore, the movement from one place to another, the individuals whose quirks (either good or bad) become mythologized in some broad-brush kind of way. There’s nothing particularly dramatic or unusual about my history, but family stories are usually the first kinds that we hear as a child, so we internalize and memorize them and grant them a bit of tidy morality lesson. Maybe you’re this way too?

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A Real Education: On Tan Twan Eng's The Garden of Evening Mists & What We Read in School
Thoughts on Books Amy Wilson Sheldon Thoughts on Books Amy Wilson Sheldon

A Real Education: On Tan Twan Eng's The Garden of Evening Mists & What We Read in School

I’m about to sound either really clueless or really curious.

Here’s a sampling of some of the questions I asked myself as I read The Garden of Evening Mists by Tan Twan Eng. Why is everyone referring to Malaya, and not Malaysia? Pearl Harbor was not Japan’s “official entrance” into World War II? Why is there a South African living in Cameron Highlands? And the Boer War: What was that again? Perhaps I should be a little embarrassed to admit my ignorance about the Eastern World despite, I think, being reasonably informed about general global history and geography. But my reading of Tan’s lushly and quietly beautiful novel about the Japanese Occupation and its lasting effects on protagonist Yun Ling took me constantly to Google; the result of my reading was not just another wonderful story embedded in my heart, but also a small step forward in understanding a greater world.

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