
READ ALL ABOUT IT
Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.
You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.

Night Watch
With any crisis where one might feel somewhat removed, it takes a lot of self-imposed effort to (attempt to) understand what it’s really “like” to be in the center of it — whether that be due to time (a historical event) or location or any other seeming lack of connection with events. I find that bothersome (and I mean that about myself as well), but I suppose that’s human nature. We covet, crave, and glom on to what we know and what is familiar. I’ve been thinking about that a lot lately.

Keep Going!
“A book is a version of the world. If you do not like it, ignore it; or offer your own version in return.” This is one of those reading and writing quotes that gets bandied around — this one’s attributed to Salman Rushdie. From a writing perspective, yeah, that’s great inspiration and advice. From a reading perspective, eh…

Machine Dreams
I’ve muddled through this novel — Machine Dreams, by Jayne Anne Phillips — for the past three or four weeks. It’s not the book’s fault; it’s just been a really busy three or four weeks what with moving our children back to school and then moving ourselves about 850 miles away. This is Phillips’ debut novel, and although I had never heard of Phillips until about two months ago, she was apparently once associated with “the girls of Knopf” or a female version of the “literary brat pack” which included excellent company: Lorrie Moore, Louise Erdrich, Mona Simpson.
