READ ALL ABOUT IT

Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.

You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.

Colleen Hoover, Crocs, and Bestseller Lists
Book Culture Amy Wilson Sheldon Book Culture Amy Wilson Sheldon

Colleen Hoover, Crocs, and Bestseller Lists

So what are bestseller lists good for? I mean, I know they’re good for authors and publishers and might give a book a nice zeitgeisty pat on the back, but from a reader’s perspective…what’s the point? Are they “good” for readers? The number of books I’ve read in the past few years that I’d put in the “excellent” category *and* were on some sort of bestseller list is minuscule. #venndiagram

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Weird Ideas
Book Culture Amy Wilson Sheldon Book Culture Amy Wilson Sheldon

Weird Ideas

I’ve been mulling over these two quotes from the bottom of yesterday’s @literaryhub daily email. I like them not just because they resonate with me as a writer, but they force me to reckon with why a book is “good” (in my eyes) or not. I love reading things that take me to unexpected places (I don’t mean that in a #readinginspo travel-via-reading kind of way) — writing that makes me go, “I would never have dreamed of mixing those words up like that.”

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