READ ALL ABOUT IT
Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.
You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.
10:04
10:04 is a hard book to take a picture of because the cover art is a somewhat indecipherable/inverted dark image of Lower Manhattan with part of the electric power grid out. Also, it’s sporting a plastic library dust jacket. (If you saw all the pics where you could see me in the book’s reflection…) But if you viewed this book IRL, it would look essentially the same as what you’re seeing here — it’s not as if this image is some massive distortion. It’s the same even if you’re looking at it through a different lens.
A Luxurious Desk in Dalkey
Oh, this ol’ thang? I’m sitting at this desk that we bought at the Dublin IKEA after moving from NYC.
Birthday Book Recs 6/50 : Brookland by Emily Barton
Birthday Book Recs: 6/50
Brookland by Emily Barton
Birthday Book Recs 2/50 : Brown Girl, Brownstones by Paule Marshall
Birthday Book Recs: 2/50
Brown Girl, Brownstones by Paule Marshall
Colored Television
There’s a lot in this book that touched a nerve for me (namely, bouncing around rentals with young children due to affordability and/or landlord nastiness…been there, done that in NYC and Dublin) and there’s a lot that may touch a nerve for others that I can’t necessarily relate to (navigating different cultures as a biracial person)…
Yu & Me (and a Bookstore Dream)
Whew, what a story. Retail is such a tough business; bookstores among the hardest of the bunch. (Any booksellers following here can attest, I’m sure.) Marketing folks are no dummies: They know that ensconcing their product with verbiage that connotes “community” or “authenticity” is the way to go. My son recently bought a pack of Italian ices, and the slogan is “Treat your REAL self.” Similarly, Oatly oat milk uses one whole side of a carton to promote its mission to “build a better society for people.” Well, ok! But at their finest, bookstores truly are the real deal, no fancy marketing required.
I Cheerfully Refuse
I generally don’t like an apocalyptic novel, it’s true. Just see my post about last year’s Booker winner, Prophet Song by Paul Lynch…
Connecting With Tommy Orange
I read There There by Tommy Orange soon after it was released in 2018. If you’re not familiar, Orange’s novel about “Urban Indians” in Oakland was a Pulitzer finalist and a National Book Award longlister. The historical Occupation of Alcatraz, a 19-month occupation of Alcatraz by 89 Native Americans from 1969-1971, plays a large role. (This was new history to me.) It’s richly layered, cleverly derivative — the novel’s title comes from the Gertrude Stein line “There is no there there” — and made me want to learn more about urban-based Native populations.
Growing Up Rich
“But isn’t all art derivative?” = a short topic of discussion this weekend with a friend.
Sartorialists, Fashionistas, Readers
Survey says? 💃🎩🪡🧑🏽🎤
The Latecomer
A quick primer if your book club is going to read The Latecomer by Jean Hanff Korelitz. (Which it totally should! This would be a great book club book.)
The Other Black Girl
A couple of years ago, I read a popular book and mused that I would have liked it better if it had been released as serialized fiction, à la Dickens. With that book, what I was probably thinking in the back of my head was: This would be better on screen — like a miniseries. I liked the book “ok.”
Bright Lights, Big City
Let’s talk time capsules.
Good Company
I’m reading a new genre
The Paper Palace and The Nest
Two novels taking place in the Northeast. Stereotypes: intact. Shabby “chic” family compounds, seemingly erudite New Yorkers who jostle to be a part of a scene, breezy yet overly confident in *everything.*
It’s All in the Framing
It’s all in the framing…
Want
This year I tried to tussle with my “I don’t like it, but maybe I like it” stance toward “popular books.” (In fact, I’m currently writing a blog post about The Vanishing Half [very popular] and The Glass Hotel [normal, somewhat understated popular].) Want by Lynn Steger Strong – which, by the way, was named a top book of 2020 by NPR and was also included in The New Yorker’s ‘Best Books We Read in 2020’ [but does that mean it’s ‘popular’?] – provides an excellent framework for this loop-de-loop thinking.
