READ ALL ABOUT IT
Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.
You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.
The Fell
There’s a difference between isolation, “alone time,” and loneliness. Maybe they intersect a bit, but the distinct ways that we experience — and perhaps sometimes crave — solitude don’t really share qualities, beyond the obvious granular one, with each other.
Dayswork
Some real literary figures feature in Dayswork, a novel by Chris Bachelder and Jennifer Habel (who are married to each other). Namely, Herman Melville, but also Nathaniel Hawthorne, Robert Lowell, literary critic Elizabeth Hardwick, and the still-living and Pulitzer-winning Melville biographer Hershel Parker (thinly veiled as “The Biographer”). They aren’t characters, exactly, as they play the historical figures that they actually are only through the lens of the protagonist’s internet deep dive as she becomes obsessed with Melville during the early days of the pandemic — that time when we were all sequestered inside with our computers as our only tethers to the outside world.
The Ease I Feel
“And so the days pass. I keep waiting for something to happen, for the ease I feel to end.” These are the words that Claire Keegan gives to the narrator — a young Irish girl sent to live with distant relatives — in Foster. The girl is in the middle of a gaggle of siblings, and the reader guesses that it is the imminent arrival of yet another baby that prompts the girl’s migration from a chaotic home with hints of trouble to the tidy, childfree Kinsella home where she is told to “make [herself] at home.”
