READ ALL ABOUT IT
Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.
You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.
State of Wonder: A Posture for a New Year
When you scan the books scattered among the shelves for something
— you haven’t yet read
— isn’t anything like this collection of autofiction* that all at once became ready to pick up at the library and is now accumulating on your side of the bed
Mrs. Dalloway
The 2020s are so weird and there is absolutely no denying that. But when Matt and I watched Ken Burns’ documentary on prohibition a few years ago, all I kept thinking was that the 1920s seemed pretty weird too.
Taylor Swift and the Publishing Industry
A book depository, a book wishing well, a land of forgotten books?
Here’s a supposedly click-bait-y article from The Atlantic — I mean, with Taylor Swift as the focal point, how can it not be? — that is actually a look at some of the pitfalls of the publishing industry as it stands today. And a booster of sorts for not just raiding your own books (both read and unread) but for checking out used bookstores as well.
Erasure
Erasure — named to The Atlantic’s “Great American Novels” list — is a stellar book. Percival Everett was unknown to me until The Trees made the Booker shortlist in 2022. I read it and thought, “This is different. And lol funny. But serious too.” And then I saw American Fiction and realized it was based on Erasure and thought, “I should read that novel.”
