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Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.

You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.

I’m a Reader: Here’s My Response
Thoughts on Books, Book Culture Amy Wilson Sheldon Thoughts on Books, Book Culture Amy Wilson Sheldon

I’m a Reader: Here’s My Response

From Newsletter Issue No. 14:

The other day, I came across a draft of my thesis for my masters program. I have a MA in Media Studies, and in 2003 — just a few months before I had my first child (timing is everything!) — I completed an ethnography of a group of children of immigration in one neighborhood in Charlotte, NC and how their media preferences were shaped. Because of guidance from my advisor, I used a framework from a book called Is There a Text in This Class? by the scholar Stanley Fish as a way to frame my own work. In academic circles, Fish is known as one of the main proponents of something called Reader-Response Criticism. The Cliff Notes version of RRC is that the main lens through which to view literature is the reader and his or her experience as opposed focusing on the author. In the introduction to Is There a Text in This Class? Fish writes…

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The Past
Thoughts on Books, Pull Quotes Amy Wilson Sheldon Thoughts on Books, Pull Quotes Amy Wilson Sheldon

The Past

“She’d picked up this book about a doll’s house from the shelf in her room quite casually and fondly, remembering how she had liked it in her childhood, not at all expecting to be ambushed with overwhelming emotion. Every so often she looked up from the page and stared around her as if she hardly knew where she was — but she was at Kington, which was the beloved scene of her past anyway. So her glance through the panes of the old glass in the arched window, to the yellowing rough grass in the garden and the alders which grew along the stream, didn’t restore any equilibrium. It wasn’t only the recollection attached to the words she was reading — a memory of other readings — which moved her. The story itself, in its own words, tapped into deep reservoirs of feeling. The writer’s touch was very sure and true, unsentimental — one of the doll’s-house dolls died, burned up in a fire. The book seemed to open up for Alice a wholesome and simplifying way of seeing things which she had long ago lost or forgotten, and hadn’t hoped to find again.”

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Art is Everywhere
Musings on People & Places Amy Wilson Sheldon Musings on People & Places Amy Wilson Sheldon

Art is Everywhere

I’m in Charlotte, NC for < 48 hours, but had the opportunity to spend a couple of hours with a friend at the Picasso exhibit at Mint Museum Uptown. This is the only picture I took; it’s an installation on a wall of windows that spans four stories and is 3,720 square feet. It’s ‘Foragers’ by Brooklyn-based artist Summer Wheat.

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