READ ALL ABOUT IT
Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.
You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.
A Parlor Read
Have you noticed publications (Atlantic, NYT) touting the benefits of reading aloud? I’ve enjoyed seeing these headlines because the first community literary event I produced in 2019 was just that: a read-aloud. It was called Book Covers (like a cover band, but “cover readers”), and there was a theme and a panel discussion following the readings — which were done by prominent community members and authors — + a run sheet + a sound system + press releases etcetcetc.
Stay True, Between Two Kingdoms, Group Living, American Bulk
Here’s Part 3 (of 4?) of a roundup of nonfiction I’ve read lately. Some of these I’ve read with an eye toward my own writing (style, subject, etc.), some were just for fun.
Becoming a Peach
While I’m not so sure about this transitive peach logic, I adore the rest of this sentiment by Natalie Goldberg. (I love her books about writing so very much. I think it was a teacher who first introduced me to the classic Writing Down the Bones — and I’ve never looked back. This excerpt’s from Old Friend from Far Away.)
Reading is Grounding
Until we moved, we were daily newspaper subscribers — meaning actual, physical papers. (We’ll get back to it!) I have a hard time keeping up digitally (we have a handful of digital news subs) partly for the reasons that Cal Newport discussed in a newsletter about unplugging (for a bit) after you vote: “I suggest you switch to a slower pace of media consumption. Don’t laugh at this suggestion, because I’m actually serious: consider picking up the occasional old-fashioned printed newspaper (free from algorithmic optimization and click-bait curation) at your local coffee shop or library to check in, all at once, on anything major going on in the world.” Personally, I like to see the news laid out in one place, not click around on some rabbit trail.
The Editor, Having and Being Had, Slow Productivity, The Work of Art
Here’s Part 2 (of 4?) of a roundup of nonfiction I’ve read lately. Some of these I’ve read with an eye toward my own writing (style, subject, etc.), some were just for fun.
A Beautifully Furnished House
Two days wandering New Orleans, and I think this is my favorite picture? (Ok, that’s not totally true…so many bright, beautiful, and interesting things to see!)
But 2 days wandering New Orleans = 3 bookshops visited. I try really hard to not buy new (meaning new releases) books these days. (This is why I currently have 20 books out from the library. OMG.) But I do like to support independent bookstores, so my new book-buying philosophy =
The Ease I Feel
“And so the days pass. I keep waiting for something to happen, for the ease I feel to end.” These are the words that Claire Keegan gives to the narrator — a young Irish girl sent to live with distant relatives — in Foster. The girl is in the middle of a gaggle of siblings, and the reader guesses that it is the imminent arrival of yet another baby that prompts the girl’s migration from a chaotic home with hints of trouble to the tidy, childfree Kinsella home where she is told to “make [herself] at home.”
Love and Trouble, Monsters, House Lessons, The American Idea of Home
I’ve been meaning to do a roundup of nonfiction I’ve read in the last few months. Some of these books were read with the intent of observing format and style for my own writing, but the subject matter is fascinating too. So, win-win. (I mean, could you have an interestingly written book about something boring? Of course. But it wouldn’t come across as boring. Therein lies the quandary…)
Who’s a Critic?
Latest pet interest = criticism. As in literary criticism, not me rolling my eyes at that weird thing you said. (Am I projecting on myself??) It started with me re-discovering the work of Stanley Fish, whose book Is There a Text in this Class? helped provide the framework for my masters thesis so long ago. I then read Claire Dederer’s much-lauded Monsters: A Fan’s Dilemma, an exploration of how to reconcile liking good art created by people who have done really not-good things (i.e. Woody Allen) that partly — and perceptively — shifts into how Dederer approaches her career as a critic. (In a nutshell, “…a never-ending flow of judgement, which nestles together with subjectivity.”)
A Ghost in the Throat
I am obsessed with this book.
A Book Recommendation Party
We were so happy to have a handful of people over last night. It was mostly just a way to rev up entertaining again, but as I try to suss out the hows and whats of possibly starting up some literary/book events in Charlotte after doing so in MetroWest Boston, it also served as an easy way to start dipping my toe in that world. I mean, I’m talking in a verrrrry minor way because the only book-ish thing about the evening was that it was requested that everyone bring a book recommendation to share.
Taylor Swift Has Rocked My Psychiatric Practice
There was an essay in the NYT this week called “Taylor Swift Has Rocked My Psychiatric Practice.” In it, Dr. Suzanne Garfinkle-Crowell describes the deluge of “What would Taylor Swift do?” queries that seem to have all of a sudden colored her practice. She doesn’t see this as a bad thing; quite the opposite, actually. “[Swift] says: Borrow my strength; embrace your pain; make something beautiful with it — and then you can shake it off.” (Side note: Can we all agree that incorporating Taylor lyrics into text is now passé?!)
Just Us / Saving Time
ISO book recs!
What a Reader Wants
“That’s all a reader really wants — to know the author better. Even if it’s a novel, they want to know the author.” – the novelist Cecil Dawkins to Natalie Goldberg.
Lessons in Chemistry and Easy Beauty
Everyone loves Lessons in Chemistry by Bonnie Garmus. What’s not to like? It’s entertaining, it’s charming with brisk storytelling, it addresses important topics. It’s pretty heavy-handed in that regard, but I wonder if that’s partly Garmus’ point since the characters’ one-dimensionality must be intentional. (I really do believe this has to be a stylistic choice on the author’s part.) I decided to read it sort of like a fable. Like how I think La La Land is a fable. (I am a huge La La Land fan! I wrote about it together with Milkman by Anna Burns back in 2019.)
Surrender
“A story line is everything.” – Bono, Surrender: 40 Songs, One Story.
Unaccompanied
Last month I was trying to read a memoir called Solito by Javier Zamora. It’s about the author’s solo journey as a child from El Salvador to the United States, where both of his parents were living.
Memoir as Fantasy
Hello. In case you weren’t aware, there is a new tell-all memoir out called Spare. Have you heard of it?
Reading as ONE in MetroWest: An Interview with Amy Wilson Sheldon and Jennifer De Leon
Literary Boston
An interview with MetroWest Readers Fest founder Amy Wilson Sheldon and featured author Jennifer De Leon, about Communal Reading and a celbration of Boston’s Book Origins.
Read Here or at LiteraryBoston.com
Fact or Fiction: On The Stone Diaries, The Body Papers & Investigating a Life
I just Googled “fiction versus memoir,” even though I know the difference – and I suspect that you do too. My search results yielded the following top result: “Memoir or Novel? How to Decide.” It’s from a random literary agency that hosts an accompanying blog full of tips for would-be authors, and this was one of its posts. I admit to being a little baffled because I always assume that writers sort of know what genre they want to tackle. Do you want to make up a story or not? Ok, ok, I’ll concede that maybe at the beginning of one’s writing days, a little waffling may present itself. Writer: “I have a message I want to convey, but I’m not sure how.” But otherwise, “fake news” notwithstanding, we have FACT and we have FICTION. They’re different, right?
