READ ALL ABOUT IT
Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.
You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.
On Social Captal & AI
From Newsletter Issue No. 23:
On New Year’s Eve, we got together with friends. Aside from the general joviality of a post-Christmas catch-up with some of our favorite people, we played a game called Priorities. It’s fast and easy, and the basic gist is that one player at a time is given five cards, each with a very specific “thing” on it, and then proceeds to prioritize them in order of how much they value/like these things.
The Correspondent
Last year, I posted about the novel Summerwater and how I felt like Sarah Moss employed the theme of “surprise.” (And also that I on occasion have kept a “surprise” journal.) Here’s what has turned into one of the most ~surprising~ novels of 2025. I was first introduced to The Correspondent by Virginia Evans from my friend because she had been given a copy soon after it was published by someone who is mentioned in the acknowledgements. (Hi, Margaret Ann, if you see this.)
