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Since 2012, I’ve been writing about books. And the act of reading. And the importance of story and narrative. But, mostly, the underlying theme of all I write is how taking a moment to stop and digest some longform text — instead of scrolling, instead of watching a video, instead of multitasking — can be one of the most grounding things we can do for ourselves. Here’s the one-stop online home for all this writing.

You can read more about me and my work by moseying over here. Want to peruse periodic “essay drops” — excerpts from my work-in-progress essay collection about Homesickness? Here ya go.

The Secret Lives of Church Ladies
Thoughts on Books Amy Wilson Sheldon Thoughts on Books Amy Wilson Sheldon

The Secret Lives of Church Ladies

How often do you find yourself in an outsider’s role? There’s a certain degree of freedom (as well as a bit of awkwardness) in not knowing certain things, in being completely ignorant to “how it goes.” I think many of us could benefit from adopting this posture once in a while. (The flip side, I know, is that there are people who may *always* feel this way and what I personally might call “purposeful naivete” turns into something very exclusionary when pinned on someone else.)

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Tatty
Thoughts on Books Amy Wilson Sheldon Thoughts on Books Amy Wilson Sheldon

Tatty

Tatty by Christine Dwyer Hickey is a remarkable book, and it’s a real shame that it’s so difficult to acquire it in the US. (I knew about this book — originally published in 2004 — since it’s sort of an Irish mainstay; in fact, it was 2020’s One Dublin One Book pick. When I learned this, I ended up ordering a copy from the wonderful Gutter Bookshop.)

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Apeirogon
Thoughts on Books Amy Wilson Sheldon Thoughts on Books Amy Wilson Sheldon

Apeirogon

In college I took an art history class – for fun, I guess, since I don’t think it fulfilled any requirement. I traipsed over to the Museum of Fine Arts one Saturday with my friend Keith because I had to write a paper on Rothko. I did, and I managed to make it a 10-page paper. Not a BS paper, which I’m sure some would like to think. No, it was actually a magnificent afternoon at the MFA as Keith and I spent about an hour talking about just one solitary painting because nothing in this artist’s work is straightforward, despite surface simplicity. Rothko is tricky like that.

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Pillow Platitudes: On The Overstory by Richard Powers & Instagram Influencers
Thoughts on Books Amy Wilson Sheldon Thoughts on Books Amy Wilson Sheldon

Pillow Platitudes: On The Overstory by Richard Powers & Instagram Influencers

The New York Times recently published an interesting Opinion piece called “The Empty Religions of Instagram: How did influencers become our moral authorities?” Well, I focused straight away because the type of influencers that this piece discusses – namely, Glennon Doyle – is my kryptonite. I, a middle-aged white mom, fall squarely in Glennon’s target demographic, yet my fascination with her and her ilk is more of the sideshow variety. This category mostly doesn’t appeal to me – and the questioning cycle of “why does this not appeal to me?” of course makes me feel completely out of sync with my peers – but it’s interesting watching her peddle self-help-with-an-edge while everyone seems to fall into lockstep. If I get too far down this rabbit hole, I (and my heart), get stuck in a cycle of cynicism.

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RAWTS: Matt’s Take on The Overstory
Book Culture Amy Wilson Sheldon Book Culture Amy Wilson Sheldon

RAWTS: Matt’s Take on The Overstory

The Overstory is a book about trees...an incredibly beautiful & well-researched book that weaves plant science through everything, painting the background for the individual narratives driving the plot line as well as being the plot itself. The book follows the lives of numerous characters—scientists, professors, engineers, lawyers, etc—and how their lives intersect, mostly related to some interest in trees.

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